ROBERT LIBERACE RED CHALK PROFESSIONAL
ROBERT LIBERACE RED CHALK SERIES

New York, Watson-Guptill Publications, 2010 pp. Portrait Painting Atelier, Old Master Techniques and Contemporary Applications. вЂњA Bevy of Brushes.вЂќ The ArtistвЂ™s Magazine, November 2010 pp.

вЂњApproaches to Drawing: Five Instructors Share Their Philosophies and Methods.вЂќ American Artist Painting Workshop With The Masters Magazine, Fall 2010 pp. вЂњDrawing Workshop: Renaissance Materials and Techniques.вЂќ American Artist special interestg publication: Drawing, Spring 2011 pp. вЂњA Modern Approach to Red Chalk Drawing.вЂќ American Artist Painting Workshop with the Masters Magazine, Spring 2011 pp. вЂњInstructional Approaches, Five Teachers Share their Philosophies and Methods.вЂќ American Artist Drawing, The Complete Course, 2011 pp. вЂњRobert Liberace, First Impressions.вЂќ International Artist Magazine, June/July 2012 pp. вЂњRenaissance Painter Incarnate.вЂќ American Art Collector, October 2012 pp. вЂњGo Figure.вЂќ The ArtistвЂ™s Magazine, April 2013 pp.70-71 вЂњFace-to-Face.вЂќ International Artist Magazine, April/May 2014 pp. вЂњA Luxurious Surface.вЂќ The ArtistвЂ™s Magazine, November 2015 pp. Wendy Li, вЂњRobert Liberace: Realism is Like Eating.вЂќ Collections Magazine (Chinese publication), August 2018, pp.Rob also has written informational articles for both American Artist and The ArtistвЂ™s magazines.

ROBERT LIBERACE RED CHALK SERIES

Responding to the growing need for classical art instruction, Liberace Studio has produced a series of tutorial dvds in which Rob demonstrates painting and drawing techniques focusing on figure, portrait and anatomy. He regularly teaches for their annual вЂњWeekend with the MastersвЂќ workshops. He pioneered one of the first online teaching courses for their magazine which included live webinars and critiques. American ArtistвЂ™s Workshop Magazine featured one of his Ireland workshops in their Spring 2006 issue. He regularly tours students through the great museums of Europe, garnering from his extensive knowledge of the old European masters. He teaches at The Art League of Virginia and holds workshops throughout the United States and abroad. Rob is well known for his inspiring and informative teaching style. Rob also sculpted a fifteen foot crucifix which hangs above the alter in a вЂњOur Lady of MercyвЂќ church in Potomac, Maryland. A life sized marble statue of Mother Teresa also stands in the Shrine, based on RobertвЂ™s design. He has created a series of carved marble reliefs which are now permanently located in the National Shrine of the Immaculate Conception in Washington, DC.

ROBERT LIBERACE RED CHALK PROFESSIONAL

Rob was selected as a professional member of the National Sculpture Society. RobвЂ™s portrait demonstrations have become a favorite for students attending the Portrait SocietiesвЂ™ Portrait Academies where he has been a regular member of the faculty for over a decade. Rob has been commissioned to paint portraits for clients such as Marc Pachter, long-time Director of the National Portrait Gallery, George H. His work has also been highlighted in The ArtistвЂ™s Magazine, International Artist, American Art Collector, EnglandвЂ™s The Artist and ChinaвЂ™s Collection magazine. Another of his portraits graced the cover of The ArtistвЂ™s magazine in April 2007. The previous year he placed Best of Show. In April 2003 Robert received the Portrait Society of AmericaвЂ™s Grand Prize Award in their annual International Portrait Competition. Rob is a visiting instructor at The National Gallery of Art in Washington DC, demonstrating old mastersвЂ™ techniques. He is an honorary member of the American-China Oil Painting Artists League and participates in their shows in New York and Bejing.

Perhaps best known for the movement and draftsmanship of his figure work, Rob has been selected as a вЂњLiving MasterвЂќ by the Art Renewal Center () where his painting вЂњ5th CircleвЂќ received first place in the Imaginative Realism category of the 2016 ARC Salon and he won the Collections Magazine Award in 2017. He strives to combine his fascination with anatomy, art history and technique to produce work in a variety of disciplines including drawing, watercolor, painting and sculpture.

Robert LiberaceвЂ™s work is inspired by centuries of knowledge and skill exemplified by the great masters. I am especially interested in the Renaissance ideal that the human figure is вЂњthe measure of all thingsвЂќ and I have dedicated myself to discover its potential in capturing the spiritual and emotional complexity of the human spirit. The physical energy and dynamic rhythms of Renaissance and Baroque art has been a tremendous influence on my work from the start.

Robert liberace red chalk